![]() ![]() Even more impressive, it was Lombardo's first feature film as an editor. In those pre-Final Cut Pro days, the technique was pretty revolutionary at the time, with editor Lou Lombardo rightly praised alongside Peckinpah for the final result. Why slow-mo? Because it's the film's dramatic and emotional climax, with the slow motion also serving to transform the violence into something almost balletic and beautiful. *What's happening?*** **The eponymous bunch, led by Pike Bishop (William Holden), have a final, bloody showdown involving lots of old timey machine guns. It turns out that everything looks cooler when you hold the camera speed down. With extra slow replays currently dominating TV screens courtesy of the World Cup, we decided to take a look back at the best (and slowest) that cinema has to offer. If you have a dramatic death, a long walk down a corridor, or if your film’s just running a bit short, slowing the motion of the action is a surefire way to success.
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